Nu Deco NXT at the Moss Center

March 30

2PM

10950 SW 211 St, Cutler Bay, FL 33189

Program

Supernova // Daniella Rabaza, Julian Recio, and Alex Tanev

The Planets: Jupiter & Mars //Gustav Holst

Original Collective Composition // Students of NXT

Original Work // Isaiah Saranow

Daft Punk: Humans v. Robots // Sam Hyken

This concert is presented in partnership with the Dennis C. Moss Cultural Arts Center

 

About This Show

Join the students of Nu Deco Ensemble’s youth ensemble, NXT, for a community performance that features the ensemble’s signature symphonic reimaginations. This free concert will take place at the Moss Center on March 30th.

This concert is the culmination of a weeklong Spring Intensive where NXT Students 7-12th grade work closely with Nu Deco musicians under the direction of guest conductor, Joseph Young (Artistic Director of Ensembles, Peabody Conservatory; Music Director, Berkley Symphony)  to develop their individual talents and ensemble skills while performing diverse musical styles.

This free concert will feature music from Daft Punk, Gustav Holst, and Isaiah Saranow (NXT Student Composer) an original composition by the Students of NXT in collaboration with O Miami and guest teaching artist, Magda Giannikou, and a collaborative piece by the NXT Writing Cohort Daniella Rabaza, Julian Recio, and Alex Tanev.

Magda Giannikou & Joseph Young

Magda Giannikou is a pianist, accordionist, singer, composer, orchestrator, songwriter, and music producer, born and raised in Athens, Greece. She studied film music at the legendary Berklee College of Music, and received the Georges Delerue Award for achievement in Film Scoring and a BMI Film Scholarship. After moving to New York, she formed “Banda Magda,” a large ensemble featuring French lyrics, Latin-American rhythms, and jazz improvisation that reflects the wonderful and diverse stimuli of New York City. Banda Magda has an enthusiastic audience around the globe, performing at venues and festivals such as Carnegie Hall, Celebrate Brooklyn, Joe’s Pub, The Jefferson Center, The Kennedy Center, and many others. Magda was also a featured soloist on Snarky Puppy’s GRAMMY Award-winning album “Family Dinner Vol. 1”.

American conductor Joseph Young is among the most gifted conductors of his generation, balancing his flourishing career as a guest conductor with leadership roles as Music Director of the Berkeley Symphony and Artistic Director of Ensembles at the Peabody Conservatory.

“Joseph Young has had quite a year … impressive,” wrote Washington Classical Review of his 2023 National Symphony Orchestra debut, which capped a year of debuts that included leading Jeanine Tesori’s Blue with Washington National Opera, the LA Phil at the Hollywood Bowl, and NYO2 at Carnegie Hall and on tour in the Dominican Republic, as well as collaborations with composer Du Yun, pianist Lara Downes, artist William Kentridge, bass-baritone Davóne Tines, and icon Debbie Allen.

Joseph is committed to amplifying a range of musical voices — both historical and contemporary — that animate his consistently compelling programs, which have included works by Brian Raphael Nabors, Florence Price, and Carlos Simon, alongside iconic composers such as John Adams, Brahms, Dvořák, and Prokofiev, and many others.

Highlights of previous and upcoming engagements include the San Francisco Symphony, Seattle Symphony, New Jersey Symphony, Milwaukee Symphony, Rochester Philharmonic, Detroit Symphony, Phoenix Symphony, New World Symphony Orchestra, Spoleto Festival Orchestra, Orquestra Sinfónica do Porto Casa da Música (Portugal), the Orquesta Sinfónica y Coro de RTVE (Spain), and the Mzansi National Philharmonic Orchestra (South Africa). In July 2024, he will conduct the Cincinnati Symphony Orchestra in the Cincinnati Opera’s world-premiere staging of the Liverpool Oratorio, Paul McCartney’s acclaimed 1991 work for orchestra, chorus, and soloists.

Earlier in his career, Joseph served as the Assistant Conductor of the Atlanta Symphony under Robert Spano and Music Director of the Atlanta Symphony Youth Orchestra, where he was the driving force behind the ensemble’s artistic growth. He has served as Resident Conductor of the Phoenix Symphony and the League of American Orchestras Conducting Fellow with the Buffalo Philharmonic and Baltimore Symphony Orchestra.

Joseph began his steady ascent in the orchestral world while serving as an educator in South Carolina. Self-guided, self-funded study—and a chance encounter with the influential conductor Michael Morgan—led him to a conducting workshop with Marin Alsop who, recognizing his raw talent, created the BSO–Peabody Conducting Fellowship to facilitate his artistic and professional growth. He has since been mentored by luminaries in the orchestra world, including Jorma Panula, Robert Spano, and Alsop, with whom he maintains a close artistic partnership.

Now a dedicated mentor and role model himself, Joseph shapes the future of classical music through his dynamic performances and programming with major symphony orchestras, his steadfast commitment to teaching in classrooms and concert halls, and his service on the board of New Music USA. He also maintains a working relationship with Carnegie Hall’s Weill Music Institute and its National Youth Orchestra program, where he served as Resident Conductor for NYO2 from 2017 to 2022 prior to his Carnegie Hall debut in 2023.

Joseph is a three-time recipient of a coveted Solti Foundation U.S. Career Assistance Award for young conductors (2008, 2014, 2015). In 2013, he was a semi-finalist in the Gustav Mahler  International Conducting Competition in Bamberg, Germany. In 2011, he was one of six conductors featured in the League of American Orchestras’ prestigious Bruno Walter National Conductor Preview.

He holds an Artist’s Diploma in conducting from the Peabody Conservatory, studying with Gustav Meier and Markand Thakar, and a bachelor’s degree in music education from the University of South Carolina. He grew up in Charleston, South Carolina, the eldest son of a banker and a Naval officer, studying the trumpet before picking up a baton.

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